Live ambient with color added
Live ambient with color added
I'm not sure that I always hoped somebody would make this new mini-mixer (as the article claims), but I can see where it would be useful to the "my rig needs to fit in a briefcase" set. Still, at 500 bucks, there are a lot of alternatives.... A summary of its functions is here. Loopop demo: https://www.youtube.com/watch?v=tRtZufcM3Qk
A brand-new, open-sourced instrument that simulates a bowed string. Not a trivial DIY project, but I know a couple of people who might just have to have one...... look at the video, then read the article to find out where to get the plans and specs. https://www.youtube.com/watch?v=Zl-xNjUgyLA
This new drum machine from Sugar Bytes is... impressive. Well, new to iOS, anyway. https://www.synthanatomy.com/2020/11/sugar-bytes-ports-its-drumcomputer-drum-synthesizer-plugin-to-ios.html
.... at the development of a new synth, here: https://www.attackmagazine.com/features/long-read/making-a-synth-from-scratch-sonicware-liven-8bit-warps/
A mini-documentary from 1973, apparently frequently quoted but seldom seen complete: https://www.openculture.com/2020/11/eno-a-1973-mini-doc-shows-brian-eno-at-the-beginning-of-his-solo-career.html
From Wired. I've been using the top two he suggests for about six months now, with good results. See https://www.wired.com/gallery/best-webcams/ .
... of my various performances, and some studio stuff too. https://www.youtube.com/channel/UCGWYau9UOV7LGq_ab626sGQ
Stems? Multitracks? Here’s a useful piece on the differences, and the practicalities and etiquette of each : https://www.izotope.com/en/learn/stems-and-multitracks-whats-the-difference.html .
I was very interested in this hardware synth. Now, it seems there's another way: http://www.vintagesynth.com/articles/lira8-free-digital-version-soma-labs-lyra-8
During the summers of 1980 and 1981, I was hired by the Monadnock Music Festival to manage production and design lighting for productions of Don Giovanni and Armida (reviews here and here). They were fantastically innovative productions directed by the then-enfant-terrible Peter Sellars … but it’s not them I want to talk about. The Monadnock Music Festival was primarily a chamber-music festival that made use of a slew of very, very talented classical musicians from Boston (while I was there I worked with 3 future Naumburg Award winners, as well as with John Adams a
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